![]() It's like watching Bruce Lee, with the action slowed down using really fast panel cuts that break down each strike and block in freeze frame. ![]() Frank Quitely did that amazing kinetic stuff in the first three issues, Phillip Tan did his kind of 'black rain' bloody pulp version, and Cameron Stewart's fight scenes are amazing. ![]() The great thing about Batman and Robin is that every issue has a fight in it! They fight all the time, so it's great to push each artist to choreograph their own version of the ultimate kung fu tussle. Will that continue as we head into the book's second year? Morrison: Completely. Though there's certainly a greater mystery involved, the book has been balls-to-the-wall, kinetic energy and action from start to finish. Your work on Batman and Robin has been marked by a different tone, energy and style than your previous Bat-work, not only because of the characters involved and the new, inverted Dynamic Duo, but also in the spectacle-driven, action-packed nature of the story. Before we get into that upcoming chapter, though, I want to talk a bit about the work you've done on the title thus far. ![]() ![]() IGN Comics: I want to eventually discuss The Return of Bruce Wayne, but first things first: you've wrapped up your first two arcs on Batman and Robin, and are about to launch your third, Blackest Knight with Cameron Stewart. ![]()
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